| |
What is the main
piece of gear you use and why ?
Ensoniq
EPS-16+ is the main machine. I've owned SP12's to MPC4000's but came back
to the Ensoniq. Has a good sound for hip hop. Just by default it's got a
certain knock, a certain crunch. Very versatile machine. Plenty editing
options. Allows me to strip down sounds and play my own melodies. No
visual waveform displays so it forces me to use my ears. Limited mono
sampling time (to today's standards at least) but plenty for me. I don't
check for the latest and greatest gear. Who needs the latest and greatest
when you've got a VCR to master to?
"Sample
based" beats vs. "played from scratch" beats ... where do you stand ?
If
you ask as a general, sweeping statement, then I prefer "sample based."
There's something about it that when it's done right, feels more satisfying
to create and elicits more of a positive internal reaction when I hear it.
That doesn't mean I dislike all "played from scratch" stuff. There's some
phenomenal musicianship out there, obviously. What I don't like is when
it's clear that people who can't actually play to begin with attempt to
"change the game" with their played from scratch keyboard beats. Sampling
is the foundation. For me, I'll always be sampling. I'll incorporate a
synth module every now and then. But at the same time, I'll be creating my
own synth sounds and melodies with the elements I sample. When done right,
sampling is an art form. It's like a mystical power from another dimension.
Why do you think yours was the 2nd winning beat of
BB003?
It
actually appears to be the third "best" beat if you base it by how many are
above mine in the list, right? So I got a little more work to do, but I
think it's due to the inaudible phase-shifted high-frequency bird whistle I
added. That really made the difference. Actually I just made something I
liked. I guess they thought it was decent, too.
Whose beat
of BB003 would you see win the contest? What were your top 3 picks?
Es-K's was the first one I singled out.
I didn't hear them all, but his was my early pick. DJ Priority was
another. Then mine of course.
How
much time do you spend on your music, how many beats per week/day do you
make ?
Might
be 10 hours one day and 10 minutes the next day actually in front of the
sampler with the machines turned on. Might go a week without turning on the
machines. I'm almost always "working on my music", though. I might spend a
week simply listening to how songs are structured. Or what instruments are
used; how they're used; how it's mixed. I might go through records and just
listen for the sake of listening-- you always hear things you didn't hear
before. To me that's spending time on my own music. You don't learn in a
bubble. You have to absorb. In terms of number of beats? Might be 3 in 30
minutes; might be 1 in a week. No set number. Whatever comes out.
When did your
production start to happen ?
I
started "making beats" and recording tapes I guess in middle school, around
1990. Before that it was messing around with all the instruments we had at
the house and taking piano lessons. But I didn't sit down and consciously
make an effort to try and create on a consistent basis until about 2000,
when I was in college.
What are you
working on presently ?
Live,
work, create. What I'm trying to do is link up with this artist named
Qualca From The Left Coast. He's impossible to coordinate with, though.
We'll see
What is more
important : diggin skills or the chopping skills?
They're
both art forms in their own rights. If I have to pick just one I go with
chopping. Lots of people have all the "right" records, but that doesn't
mean their beats are any good. Just means they have a nice record
collection. If that's what you're looking for, then call it a night, no
problem with that! Lots of other people don't have the "right records" and
make crazy, fall-out-your-seat music with sounds of dog barks, cardboard box
thumps, and the 101 strings records found in every goodwill store across the
united states. "...it's how you hook it up..."
|